Tuesday, July 24, 2012

Radio Producer Deirdre Hebert - Voices on the Path


Voices on the Path-
A Collection of Interviews




Radio Producer

Deirdre Hebert
FaceBook address: http://www.facebook.com/deirdre.hebert
Email: dee@paganfm.com
Website: www.paganfm.com


First can you briefly tell us about yourself? What is your profession? Any special hobbies?
Thank you so much for this opportunity.
So what can I tell you about myself? My name is Deirdre Hebert, and I'm the host of PaganFM and the Author of The Pagan in Recovery. PaganFM is a weekly 
radio program and Podcast that airs out of WSCA-LP, 106.1 FM in Portsmouth, NH. It began in about 2007, and strangely, that makes it about the second longest running Pagan radio program that is still broadcasting in the US on a regular radio station. The longest, for anyone interested is Murphy's Magic Mess which airs on KZUM in Lincoln, Nebraska, and they've been on the air for something like 20 years!

Other than my writing and the 
radio show, I'm an engineer, and currently working on a product called the X-harp which is a completely electronic harmonica-like instrument. You can find out more about that at www.xharp.com. I have a few other things up my sleeve, but I'm, not quite ready to talk about them yet.
When did you begin your path? What inspired you to walk this journey?
I began my journey probably around 1980 or 1981. I'm not sure why, but I was writing one night and a poem that I called "The Witch" wound up in my notebook. It described the thoughts of a woman who was a witch as she was being burned at the stake. Around that time I started reading Starhawk and other spiritual authors. I didn't make a formal profession at that time, but I began studying on my own, and I've been learning ever since.Can you tell us a little about your path? How would you describe yourself?

I follow my own path, which I call The Center Path. One of the teachers I've studied with asked me to write a creed. The final line of the creed reads "The center is my path", and this is what my path grew out of. I'm transsexual, and I wanted to have my spiritual path reflect the fact that there is masculine and feminine, to varying degrees, within us all. The dichotomy of genders that we experience in life is entirely a societal fabrication. And so in my path, there isn't this Wiccan emphasis on "balance of energy" - that is an energy that we balance within our selves.


I also have a great affinity for the Druids, but I recognize that there is no way to experience in the modern world what life as a Druid might have been like. There is no way that we'll be the counsellors to kings, we can't sit as judges (unless we happen to be such). The Druids were the judges, lawyers, healers and so forth, and the faith of these people was inextricably tied to these professions. That's not how our world works today. But I believe that learning is a vital part of faith, and this includes the arts and the sciences. The goals of religion are to understand our selves, the divine, and the universe we live in, but that knowledge is not philosophical alone; the arts and sciences are important as well.


Does the path you've chosen affect your profession? If so, how?
 
Fortunately, I work for myself, so I don't have to worry about what an employer might think about my faith. Working alone, I have time to devote to my writing and to produce my radio program. But I think that anyone who is a person of faith needs to choose their profession with their faith in mind. If celebrating the seasons is important to you, you need a job that will let you have those days off. If you are a person of integrity, you can't have a job that requires you to stretch the truth or lie to people. If you value the Earth and the environment, you can't have a profession that is damaging or polluting the environment. If integrity is important, it will exhibit itself in all aspects of our lives - our profession, our hobbies, our relationships.

Is community important to you, or do you prefer to express you beliefs as a solitary?
 
Community is very important. There are few of us who are able to live apart from society; there may be some Pagan hermits, but I don't know any personally. There are some solitaries, but even the solitaries I know do try to take part in some group events.

I think that some of us go through stages - when we are young in the faith, unsure of our selves, we want to figure out where we are before we commit to a group. Some may wish to continue to work as a solitary - perhaps because we don't find agreement with a local group. That's fine too.

But some level of interaction with others is important for most of us. As human beings, we are designed as social animals - interaction with others is a necessary part of being human. This as important in our relationships as people of faith as it is in any other endeavor.

Where I live in the Seacoast area of New Hampshire, we've begun a different type of monthly event; we hold Pagan Pizza Parties each month. We get together at a local Pizza restaurant and have them make a Pepperoni Pentagram pizza and a cheese pizza with a design representing whatever sign of the zodiac we're in. I think it's important to help dispel the preconceptions many have about Paganism, it's important to give Pagans the opportunity to be out of the closet in a safe but public setting. And the Pagan Pizza parties are an opportunity to do that.

Are you associated with any organizations, volunteer work, or groups that support your spiritual beliefs?
Well, WSCA, the radio station where I broadcast PaganFM is a volunteer organization - I don't get paid for producing that program. And I try to teach at least one workshop each year at our local Pagan Pride. I also taught a workshop on Paganism this year at a weekend recovery festival, and it looks like that will be a yearly thing as well. I think that as we mature in our faith, we begin to see that almost everything that we involve ourselves in supports our spiritual beliefs.

Would you say your path has been an easy or difficult journey? Any advice for someone new to this path?
 
If a journey is easy, it's probably not worth taking. As Robert Frost wrote in The Road Not Taken,Two roads diverged in a wood, and I— 
I took the one less traveled by,
And that has made all the difference.
My advice to anyone who is new to the path, to any path, is to follow your heart - if something feels wrong, you're probably going the wrong way - at least for you. If you come to a choice, and one looks easy, and the other challenging, take the challenging way - it will likely be much more rewarding; but it's important that you be dedicated to the challenge. Don't go down that road if you have no intent of finishing the journey.


Finally, what three books would you say most influenced your path.
 
Three books - just three books? I'm always reading, so it's difficult to choose only three. But if I had to pick, I'd probably say Drawing Down the Moon by Margot Adler. That book showed me how Paganism is a group of real faith traditions, practiced by real people, here in America and around the world. It became even more real as I've had the opportunity to meet and speak to some of the people in this book.


Then there is Joyce and River Higginbotham's book Paganism: An Introduction to Earth-Centered R
eligions. This is a book that I recommend to anyone who comes to me asking what Paganism is all about.
And for people who want to know what Wicca is, I tend to recommend Wicca Revealed by Pino Longchild. Pino runs the online Magicka School, and this book is the basis of the first year of that program. It's probably one of the best and most complete first-year courses around. I was pleased to have the opportunity to help with the editing of this text.
Deirdre Hebert has office space at 1 Washington St, Suite 3110 in Dover, NH. She can be reached via email at dee@paganfm.com

Monday, July 23, 2012

“The Teachings of Don Juan: A Yaqui Way of Knowledge”


The Teachings of Don Juan: A Yaqui Way of Knowledge”
Carlos Castaneda
ISBN =13: 978-0-671-60041-9
1968 University of California Press
$7.99 US

Carlos Arana Castaneda was a anthropologist, author and founder of Cleargreen. He wrote a series of books about his experiences training in shamanism. There is much debate as to whether his teacher 'Don Juan' was fictional or real. However many still believe his books still hold significant knowledge. He lived from 12/25/25 to 4/27/1998.


More information on the author and his beliefs can be found at http://www.castaneda.com/ .


A man of knowledge is one who has followed truthfully the hardships of learning,” Don Juan pg.5


This book was a journal of sorts written from the first person view of the author as he began his journey into Shamanic training. Much of the focus is on developing relationship and understanding the use of medicinal plants that have psychotropic effects. The second part of the book is a structural analysis of his experiences and training


Although the author shares detailed accounts of his training, I would not recommend anyone trying these same substances without a experienced mentor. I do not endorse this practice. Many people looking to experience a deeper connection in their practices do not believe in the use of drugs or alcohol. This is not a 'how to' book in other words. It is a journal of one man who undergoes a gradual training of a Shamanic path. His path was not quick and not easy. We share with him experiences both enlightening and humiliating. We learn about allies, shape shifting, dreaming and more.


The Analysis at the end might break the experience down to explain it more to an analytically minded person, however I found it hard to understand and a bit dry. The journal by itself held the most interest and meaning to me. The journal writing makes it easy for us to understand and follow the events. Personally I would recommend this to anyone looking to understand Shamanism. Fiction or not, the story presents a very real taste of the trials, life and lessons of a training Shaman.
For a complete list of Carlos Castaneda's other book visit the following:


Thursday, July 19, 2012

Study Guide: To Fly by Night: The Craft of the Hedgewitch


Study Guide

To Fly by Night: The Craft of the Hedgewitch
Edited by Veronica Cummer

  1. According to Juniper what is the definition of Hedgewitch, and where does it come from? Physically why were Hedge Rows important? Metaphorically what do they represent?

  2. According to Papa Toad Bone, what does one find when jumping the Hedge? What is his explanation for 'Haints'?

  3. According to Raven Grimassi, what is the purpose of the Witches Ladder? How would you use it?

  4. According to Raven Grimassi what are the crossroads? Who watches over them?

  5. According to Veronica Cummer, What is the wild Hunt? Who makes up the troop? Who leads it?

  6. According to Eric de Vries, who were the Night Riders? Explain the Mythology?

  7. Elige Stewart discusses entheogens. What is an Entheogen? Why is having an understanding of trance techniques important when dealing with Entheogens? Why is stronger not always better when it comes to entheogens?

  8. According to Christopher Crittenden what are some things many different meditations have in common? What is 'trance'?

  9. Kari Tauring discusses Volva Stav? Explain what it means to use that term? How is Volva Stav performed?

  10. Sylva Markson discusses spirit traveling with other members of the craft. Give examples of this in witch lore. Discuss the techniques used to free mind from body. What is the group mind?

  11. According to Rev Jack Green what are the 'Eyes of Flesh, Eyes of Mind and Eyes of Spirit'?

  12. According to Veronica Cummer what is it to be on the ' crooked path, the unseen Way, taking the road to fair Elfland or riding the hedge'?

  13. According to Robin Artisson what are the five most 'important' concepts to engage in Hedge-riding?

  14. Jenne Micale claims the music magic starts by doing what?

  15. According to Veronica Cummer, what is an anchor stone? What is it used for?

  16. According to Nicholaj de Mattos Frisvold what is 'Seidhr'? What is Odin's relationship with Seidhr?

  17. According to Beth Hansen Buth, what is Staving?

  18. According to Elige Steward what is 'hierogamos'?

  19. John Pwyll claims that 'Traditional crafters have emphasized that hedge-witchery refers to a shamanic practice rather than a user of natural magic.” After reading this book, how true do you think this statement is? Why?

Book Review: To Fly by Night: The Craft of the Hedgewitch by Veronica Cummer


To Fly by Night: The Craft of the Hedgewitch
Edited by Veronica Cummer
ISBN: 978-0-9827263-7-2
2010 Pendraig Publishing

According to her Facebook Fanpage Veronica Cummer is the author of three books, as well some poetry and several essays. She was also a staff writer and an artist.

She has been a witch twenty plus years and currently is a teacher at the occult shop 'Eye of Horus'.

You can email Veronica directly through the following website.


“The Journey across the Hedge can sometimes be a daunting one. By understanding and utilizing the tools that you have at your disposal, it can be a little bit easier. There is no easy button to make you a proficient hedgerider. That takes practice, skill and wisdom. There are no substitutes or shortcuts to cultivating these things.” pg 75 Elige Stewart

This book was written as a series of short essays discussing the definition and purpose as well as the techniques of many different types of Hedgeriders. This book is definitely for someone with an intermediary knowledge of the craft, and may appeal more to Witches more eclectic in their practices.

There is a smattering of Invocations and spells, enough so to make it interesting but not take away from the main focus of the book. There is a small amount of black and white artwork, page 66 being a particular favorite of my own.

Each author has a varied opinion on how to proceed in developing this skill, however the reader will find that, at the core, many have similarities. The influence range from Italian Witchcraft to Volva Stav Carrier. This in and of itself was enlightening. Biographies about each author where provided at the end of each chapter giving us a window into the writers life, jobs and path.

To Fly by Night is a must have for anyone new on the path of the Hedgewitch. The essays show an outline of the differences and variety of life styles attracted to this practice. Someone new might benefit from the information. At the least, they might find a direction that suits them more-so than another and be able to use that information to pursue the best path for them. However I think someone who has been on the path for a while might have a better grasp of the full meaning of the authors content.

This is a book worthy of a place in my personal collection. I found reading it enjoyable and enlightening and perhaps one day my own children will find the same pleasure in it.

Please refer to the below site for a complete list of Veronica Cummer's other books.

https://docs.google.com/spreadsheet/ccc?

Pagan Gamer Lily- Voices on the Path

Voices on the Path-
A Collection of Interviews 



So I've known you for many years, but to give everyone else some insight how long have you been on your spiritual path?

I'd like to think we are on a path our whole lives, and the path twists and turns as we live our life experience. I started really focusing on my spirituality around the age of puberty(which for me was 13). It was then that the information flowed more freely, and I met friends and family that helped me along my way.

How would you describe the journey you've taken, where you began, where you are now and where you'd like to be?

At this age I can say my study of Witchcraft began. My sister originally told me about it, but she knew very little and much was based off of movies and fantasy. Around this time my parents divorced and my mother remarried. My step sister was already into Witchcraft when I met her, and I feel we mutually piqued each others interest. We started to experiment with spells and ritual, and it was at this point I became a sponge, sucking up every book, consuming every guide. Eventually I met some wonderful friends in this process and we started a Circle. It was very eclectic and relaxed and it fit us well at the time. That was about 2008. My path took a very different direction and the Circle parted ways that year, which while at first I was very sad...it gave me an experience I never yet had the opportunity to do before...solitary practicing. Since that time I have slowly drifted from a regimented or labeled belief system, and more to a free-flowing Universalism approach. I'd like to be, now and for the future, in a constant state of allowing and attraction. Mastering my fate and my joy.

Do you work with others or take more of a solitary path?

Currently my work is mainly for the self but I always have a desire to help others find the information they seek. While I can't walk their path for them, I can provide resources, intellectual and open-minded conversation, and unwavering support during this process.

Specifically, I want to talk to you about your online Gaming presence in World of Warcraft. Can you please tell us a little about the game and it's structure?

World of Warcraft is an Online Massive Multiplayer Role-Playing Game. Meaning, you create a character and give it personality, adventure and gain experience, all the while playing with others reaching towards the same goal. There is a group dynamic called guilds, where you can make a name for your group and seek out other like-minded individuals and create your own community in the game.

How did you come to meet other spiritually like minded people in the game? Can you tell us a little about the different types of people you've met?

I felt like there was more to this game than the game itself, it's the people that make it memorable. One day I was thinking, "I'd like to meet more spiritually open people here, there's got to be some way..." So began the creation of my interfaith guild, The Mystic Circle. I started to recruit...and wow, did I find some wonderful people. Right off the bat I was chatting with Pagans, Shamans, Mystics, Heathens, etc. and they all told me the same thing, how amazing and unique it was to use WoW as a forum for our faith. 

I know you have brought this group of people together and are planning online rituals? Can you tell us more about what you'll be doing during this ritual and what you'll be celebrating?

Our next planned ritual will be a combined Full Moon/Lammas ritual. At a soon to be determined location, we will gather and celebrate. I plan to select guild mates on a first come-first served basis on who wants to call what corner/element/direction. Once the circle is formed, we will discuss the meaning of harvest. The circle will then be allowed to come forward with requests for raising energy. Any and all will be allowed to contribute stories, spells, etc. After everyone's needs have been met, we close the circle and partake in some in-game cakes and wine. At this time we also suggest our literal players to go grab a snack. More details will come closer to the date but that is a general description.

Is this an open ritual, and if someone involved in the game wants to join how would they go about contacting you?

For this moment in time our Lammas ritual will be open to guild mates only. Only reason for this is because there are a few players in the game that will love nothing more than to disrupt a scene. I regularly advertise the guild in public chat, and I invite freely to anyone who wants to join. As our guild continues to grow and get to know one another, a public ritual may be in the works in the near future!


Any further insight you'd like to share?


I'd like to close with not only a thank you for the interview, but a thank you for the opportunity to shed some more light on a less common but wonderful nonetheless practice of online ritual and spiritual discussion. Any realm of entertainment can serve as an "outside the box" arena for creativity and expression, all it takes is some imagination and innovation.

For more information:

Monday, July 2, 2012

Study Guide-Singing The Soul Back Home-Shamanism in Daily Life


    Study Guide
    Singing The Soul Back Home-Shamanism in Daily Life
    Caitlin Matthews

    1.“There are no terrestrial or cultural boundaries in the otherworlds: The knowledge that you find there is universal in application.” (Introduction)
    What does the author mean by 'no terrestrial or cultural boundaries'? How does this apply in context with the material?

    2.“Those without a spiritual tradition often warm themselves at other fires before they understand how the fire is kindled, but ultimately they must return to their own hearth and make fire there.” pg. 9
    Explain the meaning of this statement. Can you think of examples?

    3. ”When we first journey into subtle reality, we steer blindly unless we can trust at least one spirit friend.” pg. 17 What is subtle reality?

    4. Referring to the quote in question 3, Give example of a 'spirit friend'. Why is it important to establish a relationship with a 'spirit friend'?

    5.What are the three worlds? Why might you wish to travel to each one?

    6.”When we question the spirits, the answer comes by way of an oracle,”. pg. 173 What is an oracle? Give examples.

    7. What is soul-loss? How can this affect a person?

    8. How might one retrieve soul shards?

    9. Study the Artwork at the beginning of the chapters. Discuss what you see, and how the reading materiel reflects these images.

Singing the Soul Back Home-Shamanism in Daily Life


Singing the Soul Back Home-Shamanism in Daily Life
Caitlin Matthews
ISBN 1-85230-616-5
1995
Element Books Limited
US $14.95

Caitlin Matthews is one of the co founders of The Foundation for Inspirational and Oracular Studies. This group is dedicated to the sacred arts that are unwritten. The author is trained in esoteric Mystery traditions. Much of her teachings are based on the European traditions. She is also a singer, story teller and has written 60+books. Currently she lives in Oxford.

Courses in Shamanism are offered through Hallowquest.org.uk . There you will also find more information on Caitlin Matthews.


Contact Information:
Postal address: BCM Hallowquest, London WC1N 3XX, U.K.

Or


Or



“Regulate your own practice by keeping your journeying to a minimum of four to six journeys a month; this way, you will be better able to understand and assimilate your experiences. Your spirits will indeed help you, but if you are always appearing to ask their advice yet not allowing any time to implement it in your life, then you are hardly accepting or validating such help.” pg 56-57

This book was written not as an instruction guide to becoming a Shaman, but as a Shamanic Journey for the solitary person. There are no one type of religion undertones, the author was careful in this which enabled her to reach a wide variety of people.

It includes a number of exercises, not meant as a regular curriculum like a school agenda for example, but more-so...it is information to be worked through at ones own pace.

The art at the beginning of each chapter is not to be overlooked either. It can even be enjoyed apart from the book, as well it works very well with the contents. The images are deep and meaningful and obviously meant to be contemplated.

This book, stands separate from the others I've reviewed. I believe that the contents can reach a number of people regardless of faith, age, and culture. Some of them greatly in need of the transformation that can occur as a result of a commitment to these lessons. This book is one of the deepest reads I've experienced, as it does make one really think about the disharmony in their life and the real reasons for it. There are many people that get the feeling of just not being all there because of being overworked, overstressed, mistreated, abused, violated, etc. . This has created a chasm within our very souls...wounding it, and affecting our mental well being. For many who commit I imagine they can experience a renewed wholeness within themselves.

Through the use of meditation and contemplation, this book takes the reader on a Shamanic journey. You learn to work with your guides traveling the three worlds to explore the reasons for your disharmony or to answer questions you need assistance with. It is not your typical occult reading you might find at the coffee shop/book stores, and I have never seen it on a book shelf before. However I enjoyed this book so much I can think of several people I might gift a copy to.

Please refer to the below site for a complete list of books by Caitlin Matthews as well as the books included in the bibliography of Singing the Soul Back Home. (to be updated in the next few days)